A TRAID OF WORLDS IN THE SEMANTICS OF THEIR INHABITANTS’ CLOTHING (ON THE DATA OF THE OLONKHO “NYURGUN BOOTUR THE SWIFT” P. A. OYUNSKY)
DOI: 10.23951/2307-6119-2018-4-86-97
The problem of the trinity in the world as the focus of the Universe, in particular, in the context of epic works, often touched upon in research, in the center of which is the text of the Olonkho – one of the oldest genres of the oral creativity of the Sakha people. The article is discussed the traditional clothing of the Sakha based on the text of the heroic epic Olonkho. The authors focuses on identifying and describing the Olonkho characters, representatives of the three worlds – Upper, Middle and Lower. According to the Yakut mythology, the Universe consisted of three worlds - the Upper, Middle and Lower, located one above the other or floors above one another. In the Middle World, defined implied as the center of the Universe, but it does not have its own, there living people. Here live animals and a variety of supernatural beings. In other worlds live supernatural nature-spirits. As the researchers write, any description of clothes in Olonkho is no accidental, that the clothes of the epic Olonkho can be regarded as a kind of ethnic sign, based on the traditional worldview and conduct of the Yakut people, that common genetic traits with the vast Turkic-Mongolian world have survived, the Yakut ethnos developed many common mythological ideas, rituals, developed a unique, characteristic only to the Yakuts, ways of symbolizing the world, that clothing carries a special sacral ritual function, that form, decoration and symbol of the products of traditional Yakut folk art show a significant influence on the formation of the foundations of the Yakut material and spiritual culture of both local and North American Paleoasians and ancient culture of the nomads of Eurasia. It is established that the text of this Olonkho contains a detailed description of the headdress and its details, types of outerwear (fur coats, coats, etc.) and shoes, which reflects the idea of the inhabitants of the three worlds. In this regard, the epic text serves as a kind of source of reconstruction of the coded informative material. The function of clothing as an indicator of the social status, financial position of its owner is identified. The problem of description considered in this article as part of the traditional Sakha culture in the context of the epic text correlates with the study of the question of who and how works in the simulated space.
Keywords: epic; text of the Olonkho; three worlds; clothes; semantics; function; material and spiritual culture
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Issue: 4, 2018
Series of issue: Issue 4
Rubric: ANTHROPOLOGY
Pages: 86 — 97
Downloads: 1269