PROBLEMS OF AUTHENTICITY IN ANTHROPOLOGICAL CINEMA

Oganezov A.E.

DOI: 10.23951/2307-6119-2018-3-97-106

Information About Author:

Oganezov A. E., graduate student. Russian Academy of Sciences, N. N. Miklouho-Maklay Institute of Ethnology and Anthropology. Ethnographic Scientific and Educational Center. Leninsky prospect, 32a, Moscow, Russia, 119991. E-mail: alexoganezov@outlook.com

Despite of popularization of visual anthropology among other social and humanities scientific disciplines, it’s theoretical and methodological questions are still studied quite poorly. In this article the specifics of visual anthropology as a scientific discipline since the beginning of XXI century are reviewed. Special attention is paid to critique of anthropological cinema, as a main product of visual anthropological research. The traditional approach to understanding of visual anthropology cinema perception has been analyzed. Different approaches to problem of anthropological film authenticity has been reviewed. The traditional critique of anthropological cinema has been analyzed from different positions such as physiology and psychology of visual perception, visual cognition, culture and psychology of video material visual perception, scientific and philosophical conception of postmodernity. In the ending the article is summed up and relevant conclusions are made.

Keywords: visual anthropology, anthropological cinema, ethnology, postmodernity, ophthalmology

References:

Arnheim R. Iskusstvo i vizual’noe vospriyatie [Art and visual perception]. – M.: Arkhitektura, 2007. – 392 p. (in Russian)

Arnsten B., Holtendal L. Vizualiriruya situativnost’ [Visualizing situationality] / B. Arnsten, L. Holtendal // Sibirskiye is-toricheskiye issledovaniya. – 2017. – № 3. – P. 42–44. (in Russian)

Gornykh A. G. Vizual’naya antropologiya: videt’ sebya drugim [Visual anthropology: to see yourself another way] / A. G. Gornykh // Antropologicheskiy forum. – 2007. – № 7. – P. 34–35. (in Russian)

Khristoforova O. B. K voprosu ob auditorii antropologicheskikh fil’mov [The question of anthropology cinema audience] / Tretiy moskovkiy mezhdunarodniy festival’ i konferenciya vizual’noy antropologii “Kamera-posrednik” (Moskva, 8–13 oktyabrya 2006 g.): Sbornik statey. – M.: Izd. MGU TEIS, 2006. – 190 p. (in Russian)

Kirillova N. B. Mediakultura: ot moderna k postmodernu [Media culture: from modernity to postmodernity]. – M.: Akad-emicheskiy Prospekt, 2005. – 448 p. (in Russian)

Liotar J.-F. Sostoyaniye postmoderna [The condition of postmodernity]. – M.: Institut eksperimental’noy sociologii; SPb.: Aleteya, 1998. – 160 p. (in Russian)

Litvyak E. V. V poiskakh smyslov [Searching the meanings] / E. V. Litvyak // Salekhard 2000. – 2000. – P. 114. (in Rus-sia)

MacDonald S. American ethnographic film and personal documentary. – Berkeley, 2013. – 415 p.

Mezhdunarodnaya nauchno-prakticheskaya konferenciya (v ramkakh 5-go Moskovskogo mezhdunarodnogo festivalya antropologicheskogo kino “KAMERA-POSREDNIK”). Moskva, 20–24 sentyabrya 2010 g.: Sbornik statey. – M.: Izd. MGU TEIS, 2010. – 263 p. (in Russian)

Sovremennaya oftal’mologiya: Rukovodstvo 2-e Izd. / Pod red. V. F. Danilicheva. – SPb.: Piter, 2009. – 688 p. (in Rus-sian)

( 523.98 kB ) ( 513.34 kB )

Issue: 3, 2018

Series of issue: Issue 3

Rubric: ANTHROPOLOGY

Pages: 97 — 106

Downloads: 1653